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Festivals, Reviews, Stage

A Brimful of Asha review (Melbourne International Arts Festival)

Alison Barclay

As a theatre director in Toronto, Ravi Jain made absolutely no money the year his mother Asha decided he should …

Festivals, Reviews, Stage

Wonders Review (Melbourne International Arts Festival)

Alison Barclay

In this age of pick’n’mix spirituality Scott Silven’s job description, “enchanting mentalism”, has a profound allure. Well, it seems profound, greater than …

Festivals, Reviews, Stage

Diaspora review (Melbourne International Arts Festival)

Anders Furze

Billing itself as a “science fiction revelation”, Diaspora is a mind-bending exploration of post-humanism that alternately dazzles and confounds. A …

Reviews, Stage

The Wharf Revue 2019: Unr-dact-d Review (Roslyn Packer Theatre, Sydney)

Jason Whittaker

It felt an awful lot like the long goodbye, this latest edition of the beloved annual Sydney Theatre Company chuckle-fest. …

Stage

30 years of celebrating the Bard Down Under

Anders Furze

Bell Shakespeare marks its 30th birthday in 2020. Anders Furze spoke to artistic director Peter Evans about the company’s anniversary …

Stage

Bruce Gladwin on The Shadow Whose Prey the Hunter Becomes

Daily Review

Geelong-based company Back to Back Theatre returns to the Melbourne Festival with its new work “inspired by mistakes, misreadings, misleadings …

Festivals, Reviews, Stage

Jack Gow: Just A Small Town Boy Review (Melbourne Fringe)

Shane Murphy

Jack Gow is, as he avows, both anxious and a tad vain. He worrries. A lot. Should he announce himself? …

Reviews, Stage

John Howard was REALLY Bad review

Tobias Manderson-Galvin

What if your university lecturer was exactly the propagandist the right-wing media claimed they were? What if a young Bill …

Festivals, Reviews, Stage

The Power of the Holy Spirit review (Melbourne Fringe)

Tobias Manderson-Galvin

Harriet Gillies’ newest work explores Marxist neo-feminism, post-humanism and a grim nihilism with subversive, and sometimes unsettling, results. The Power …

Opera, Reviews, Stage

Ghost Sonata review (Opera Australia scenery workshop, Sydney)

Jason Whittaker

We’re not in the Opera House anymore, Toto. It’s cold. The seats are uncomfortably plastic. And the opera is unlike …

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THE LIST

Books

A legal approach to the decline and fall of the United States

Kevin Brianton

Music, Reviews

Sleaford Mods ‘All That Glue’ review: a necessary album for fans and newcomers alike

Benjamin Woods

Books, Reviews

‘The Shifting Landscape’ review: Western Victoria crime novel showcases joy in storytelling

Rosemary Sorensen

News & Commentary

How did we get here? Why artists became so dispensable

Neil Pigot

Books, Music, Reviews

Kim Salmon and the Formula for Grunge: a fascinating read for fans and newcomers alike

Tony Thompson

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Andrew Bovell’s Speaking in Tongues

Darlo Drama Studio Theatre

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