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When love gets you down, they say the best remedy is to get straight back out there. And so it is in The Merry Widow, choreographed for The Australian Ballet in 1975 by Ronald Hynd, and now revived in its season at the Arts Centre, Melbourne until June 16. Ludicrously rich French widow, Hanna Glawari, is
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After a decade running the Sydney Dance Company, Rafael Bonachela’s new full-length work finally proves how much more he is than a master showman and frenzied crowd controller. ab [Intra] – Latin apparently for from within – began with his 15 dancers in the studio scribbling their thoughts, feelings and ideas on yellow Post-it notes.
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By Daily Review
The annual Green Room awards for performance were announced in Melbourne last night with mulitple awards going to Opera Australia’s production of King Roger and its Julie Andrews directed musical My Fair Lady co-produced with John Frost. The Disney musical Aladdin was also a multi winner. In a strong year for Malthouse, the play Away, co-produced with Sydney Theatre Company, won
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It’s hard to imagine what Australian dance would be without the artistic vision and life-long dedication of choreographer Graeme Murphy. In a career spanning 50 years, he has not only pushed the boundaries of ballet styles, techniques and storytelling, but has paved the way for bringing raw and real emotion to the stage. When he
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By Daily Review
The Australian Ballet is presenting the lavish and thrilling Murphy, a tribute in dance to the legendary dancer and choreographer Graeme Murphy in Melbourne this month and Sydney next month. In his 50 plus year career, Murphy has choreographed and directed dozens of dance and opera productions around the world with his signature physicality, humour and an unwavering commitment to
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The performances, talks and conversations I’ve attended or participated in over the last two weeks of the Festival (which closed at the weekend) have raised lots of questions for me about the relationship between art and life. The eponymous title of Iranian playwright Nassim Souleimanpour’s play Nassim suggests that it may (or may not) be
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By Daily Review
Akira Isogawa, born in Kyoto in 1964, is one of Australia’s most successful fashion designers. He moved to Australia when he was 21 to study fashion at the Sydney Institute of Technology and his work is influenced by a delicate Japanese aesthetic. Natural materials, hand-dyed and hand painted fabrics are some of his signatures that find
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By Daily Review
The Australia Council has announced the 2018 recipients of Australia Council award which “recognise and celebrate the significant contributions of leading artists to the artistic and cultural vibrancy of the nation”. The winners, nominated by industry peers, are: Bruce Pascoe (VIC) – Australia Council Award for Lifetime Achievement in Literature Liza Lim (VIC) – Australia
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Tobias Manderson-Galvin continues his report from the Australian Performing Arts Market (APAM) in Brisbane. You can catch up on Part One here and Part Two here. *** I start the day by vox-popping some locals on the train about the impact of APAM on Brisbane. Lyle, South Brisbane: What? What? I’ve got my- sorry I’m on a
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By Daily Review
The winners of the 2017 Sidney Myer Performing Arts Awards were announced last night by Carrillo Gantner AO, chair of the Sidney Myer Fund at the Brisbane Powerhouse as part of the Australian Performing Arts Market. The winners were playwright and actor Kate Mulvaney for the Individual Award ($60,000); Nicole Beyer, the executive director of Theatre Network Australia won the
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