Ladies in Black film review

Film, Reviews, Screen |

Bruce Beresford has a repertoire of films that stretch from broad and iconic comedies (The Adventures of Barry McKenzie) to brilliant and nuanced relationship studies (Tender Mercies and the Oscar-winning Driving Miss Daisy among them). Despite his extraordinary track-record, it has taken him 25 years to pull together the financing to adapt Australian writer-expat, Madeleine

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Culture, disruption, Spotify – and the tyranny of metrics


The digital realm is not what it seems, and impacts on music curation in myriad and hidden ways, says Tully Barnett, one of the lead researchers in the Flinders University team Laboratory Adelaide: The Value of Culture. Barnett and Julian Meyrick and Robert Phiddian are co-authors of What Matters? – Talking Value in Australian Culture (Monash University

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Submergence film review: a wishy-washy romantic drama from German director Wim Wenders

Reviews, Screen |

Has there been another film, in recent years, with so much pining and so little emotion? We are told many times throughout director Wim Wender’s meditative romantic drama Submergence that the two lead characters – British secret agent James Moore (James McAvoy) and deep-sea diving bio-mathematician Danny (Alicia Vikander) – are in love, or at

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Artists’ poor health and welfare shows we have failed ourselves

News & Commentary, Screen, Stage |

There are terrible dangers of falling through the gaps between psychic satisfaction and material security in the performing artists’ career path, according to arts and entertainment solicitor Mark Williams in a new Platform Paper titled Falling Through The Gaps: Our artists’ health and welfare from Currency House released today.  Perceptions of the actor’s lot can be largely divided between

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