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Reviews, Screen

Emily in Paris: the show that got lucky

Megan Whitfield

Currently dividing the internet, Emily in Paris is a Netflix comedy-drama that follows a young, career-oriented American, Emily Cooper, as …

Film, Reviews, Uncategorized

The Lighthouse film review

Koulla Roussos

It is not often that I come across a film, complex and uncomfortable in so many ways. A film I replay …

Music, Reviews

Jehnny Beth ‘To Love is to Live’ review: worthwhile art pop

Benjamin Woods

Jehnny Beth’s solo work has divided fans of her UK band Savages. Led by Beth (real name Camille Berthomier), Savages …

Books, Reviews

Jia Tolentino’s ‘Trick Mirror’ review: graceful ruminations on self-delusion

Rosemary Sorensen

Why would anyone – whatever gender – choose to wear unwalkable-stiletto-heeled shoes when at work, as a journalist, conducting an …

Music, Reviews

Sleaford Mods ‘All That Glue’ review: a necessary album for fans and newcomers alike

Benjamin Woods

If not for the Covid-19 pandemic which has shut down live performance around the world, May 2020 would be the …

Music, Reviews

Mark Lanegan, ‘Straight Songs of Sorrow’ review: sober reflections on a wasted past

Benjamin Woods

Mark Lanegan is one of the most prolific singer-songwriters working today. His main vehicle is his eponymous band (with whom …

Non-Fiction, Recorded, Reviews

A podcast that shows how a creative spark can become a career path

Megan Whitfield

Filmmaker Romaan Asche likes people who grind – in a work sense, that is. (We don’t discuss her dancing preferences.) Asche …

Reviews, Screen

Netflix’s Abstract: the art of designing prime comfort viewing

Anders Furze

Those of us looking for some comfort viewing that also teaches us something about life could do far worse than …

Film, Reviews, Screen

Reconciling a life’s long journey through pain and glory

Anders Furze

“In the cinema of my childhood, it always smells of piss,” ageing filmmaker Salvador Mallo says at one point in Pain …

Festivals, Reviews

Postcard from the Adelaide Festival 2: Dramas of Ideas

Humphrey Bower

The Adelaide Festival ran from February 28 – March 15, 2020. In this postcard HUMPHREY BOWER reviews Almeida Theatre’s The …

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THE LIST

Books

A legal approach to the decline and fall of the United States

Kevin Brianton

Music, Reviews

Sleaford Mods ‘All That Glue’ review: a necessary album for fans and newcomers alike

Benjamin Woods

Books, Reviews

‘The Shifting Landscape’ review: Western Victoria crime novel showcases joy in storytelling

Rosemary Sorensen

News & Commentary

How did we get here? Why artists became so dispensable

Neil Pigot

Books, Music, Reviews

Kim Salmon and the Formula for Grunge: a fascinating read for fans and newcomers alike

Tony Thompson

MORE OF THE LIST

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Andrew Bovell’s Speaking in Tongues

Darlo Drama Studio Theatre

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