Orchestrated mid-winter yearning brings music of Cave and Ellis from screen to stage

Nick Cave and Warren Ellis
Film, Live, Music, News & Commentary, Reviews |

Subtle notes of angst, despair and deep yearning defined a powerful union of the work of musicians Nick Cave and Warren Ellis with the Melbourne Symphony Orchestra in several shows at Hamer Hall at the weekend. The unique pairing showcased six of Cave and Ellis’s notable film scores as part of the Melbourne International Film Festival,

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You should’ve been there: Glastonbury 2019

sigrid xx- the other stage - photo credit Alison Martyn
Live, Music, Reviews |

Daily Review music writer Jacob Robinson and photographer Alison Martyn were there last weekend There is no more famous or important festival in music than Glastonbury. The festival is not only the biggest in the world, it is also the most storied. Casting an eye across the festival’s history is to gaze on the history of contemporary

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Adelaide Cabaret Festival 2019 review: Philip Quast Uncut

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Live, Music, Reviews |
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Philip Quast with Anne-Maree McDonald at the piano, Dunstan Playhouse, Adelaide Festival Centre, June 10. One show only. There are few Australian music theatre performers as celebrated as Philip Quast, and none more modest about their accomplishments. So in this, the only performance of the world premiere of his one-person show, he seems almost startled

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Labor’s boost to the arts is welcome but our political climate does not take culture seriously

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 Jo Caust is Associate Professor and Principal Fellow (Hon), University of Melbourne Labor launched its arts policy in Melbourne on Saturday. The new policy document is called “Renewing Creative Australia”, paying homage to Labor’s two previous cultural policy documents; “Creative Nation” in 1994 and “Creative Australia” in 2013. The policy includes a commitment to restore funding

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When one art form tumbles into another: Paul Dyer and Yaron Lifschitz on English Baroque with Circa

Circa3

The Australian Brandenburg Orchestra and Circa’s third collaboration, English Baroque with Circa, opens the Canberra International Music Festival tonight before visiting Sydney, Melbourne and Brisbane. Anders Furze talks to artistic directors Paul Dyer and Yaron Lifschitz. Recently, Paul Dyer, the irrepressible artistic director and co-founder of the Australian Brandenburg Orchestra, found himself hanging upside down on a trapeze. “There I

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