Festivals, Stage ‘A Special Day’: a conversation with Ana Graham and Antonio Vega Humphrey Bower A Mexican theatre company’s minimalist stage adaptation, for two actors, of a classic Italian film about fascism is a somewhat …
Dance, Festivals Colossus Review (Sydney Festival) Martin Portus How humans perform in or outside the group herd is a powerful theme ideal for dance. With Colossus at the …
Dance, Festivals Frontera and Two Crews review (Sydney Festival) Martin Portus January 8 and 9, 2020 A crazed rush of refugees entrapped by borders of light and a joyous outburst of …
Festivals, Reviews 2019 Meredith Music Festival Review Jacob Robinson Meredith Music Festival is about much more than the music. People bring their own couches to perch on the hill, …
Festivals, Stage The Village review (OzAsia Fest, Adelaide) Murray Bramwell The 2019 OzAsia program has been notable for its significant returns. Artistic director Joseph Mitchell has said that while he …
Festivals, Stage Cuckoo review (OzAsia Fest, Adelaide) Murray Bramwell Cuckoo is a meditation on South Korean society over the 22 years since the Asian Financial Crisis, told in part …
Festivals, Reviews, Stage Light review (OzAsia Festival, Adelaide) Murray Bramwell “The Theft of Penang, Birth of Adelaide and the Rise of the British Empire.” This is the revisionist history of …
Festivals, Reviews EYES/LIES review (OzAsia Festival, Adelaide) Murray Bramwell The name of the impressively original Belgian theatre company, Ontroerend Goed, the program notes tell us, roughly translates as “Feel …
Festivals, Stage Technocircus review (OzAsia Festival, Adelaide) Murray Bramwell I am not really sure what video-mapping technology is, but the smart and snappy Japanese mime-and-image group, SIRO-A certainly make …
Dance, Festivals Token Armies review (Melbourne International Arts Festival) Portia Conyers-East Chunky Move’s freshly appointed artistic director Antony Hamilton has created a piece of contemporary art with Token Armies that’s fit …
