Musicals, Reviews, Stage

The Book of Mormon Theatre review (Melbourne)

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It’s rare that a musical opens in Australia with expectations as high as The Book of Mormon. It’s one of Broadway’s hottest tickets, completely sold out since it opened six years ago, thrilling critics and audiences alike, and developing a massive following. It’s a pleasure to be able to say that the Australian production lives up to those mighty expectations.

The performances are all first-class, the choreography and direction is relentless in the best possible way, while the book and lyrics are packed full of side-splitting gags that would be absolutely cringe-worthy if they weren’t so damn funny.

For the uninitiated, The Book of Mormon follows Elder Price (Ryan Bondy) and Elder Cunningham (A.J. Holmes), two young American missionaries deployed to Uganda. Elder Price is a shining example of clean-cut, polite, devoted Mormonism while Elder Cunningham is scrappy, clumsy, and a bit of a loner just looking for a friend. It’s a classic odd couple situation.

When they arrive in Uganda it becomes immediately clear that their mission will be more difficult than they’d expected — the village they’re stationed in is overseen by a terrifying warlord, whose name I dare not repeat, and almost everyone has AIDS. They have their own philosophy to get them through, but rather than Hakuna Matata, it’s Hasa Diga Eebowai which … certainly doesn’t mean “no worries for the rest of your days”.

Perhaps Elder Price’s brand of Mormonism isn’t what these people need right now?

Written by South Park creators Trey Parker and Matt Stone, alongside composer/lyricist Robert Lopez, it’s just as blasphemous and crude as you’ve been led to believe, but also far gentler and kinder than you could reasonably think. And although it’s very robust and irreverent satire, it never attacks its targets too viciously.

Sure, the Church of Jesus Christ of Latter-Day Saints is mocked pretty mercilessly, but the writers have plenty of compassion for the young Mormon missionaries whose efforts to do something “good” come into conflict with the strictures and absurdities of organised religion.

And sure, using the suffering of millions of people in Africa, due to disease, famine and extreme poverty, as part of a bright and colourful Broadway comedy might seem more than a little inappropriate.

But that’s also the genius of The Book of Mormon — the way it juxtaposes the almost painfully optimistic world of musical theatre with the world as experienced by some of the world’s least lucky people. It smartly makes no attempt to represent Uganda accurately in any way, but takes aim at America’s national saviour complex and the notion that these plucky young men from middle America are carrying around all the answers in their pocket in a small book.

As Elder Price, Canadian actor Ryan Bondy is perfectly clean cut, with a crystal clear singing voice, and full of extraordinary energy. He’s superb, although it’s still not entirely clear why the producers felt it necessary to import an international performer for this role, given that there are ensemble members in this very production who could likely do the job just as well.

A.J. Holmes is absolutely hysterical and entirely endearing as the inventive and eccentric Elder Cunningham, while the wonderful Rowan Witt, as Elder McKinley, gets the first show-stopping number of the night in Turn It Off, encouraging all the Mormon boys to simply switch off any feelings that might be damaging or not in keeping with the principles of their church.

It’s in these big musical numbers that director/choreographer Casey Nicholaw’s sharp and larger-than-life style really shines through — he’s a classic Broadway showman working with material that takes its structure from classic Broadway, if not its sense of humour. Nicholaw and the writers’ knowledge of musicals also means the show is stuffed full of musical references, from The Lion King, to The Sound of Music and a riotous and rude take on the Uncle Tom’s Cabin ballet from The King and I.

Zahra Newman delivers the vocal highlights of the night as the poor village girl Nabulungi, bringing an unlikely optimism to the role, while Bert LaBonte is a strong comedic presence as her father Mafala.

It’s difficult to find anything much to fault in this heavenly production — the ensemble of Mormon boys nail everything right from the opening number Hello, the ensemble of Africans are just as perfect, Kellie Dickerson’s musical direction is as tight and measured as it needs to be for this Broadway/Disney pastiche, and Scott Pask’s gorgeous, fast-transforming set looks like it was made for the Princess Theatre.

By the end of all this, it becomes clear that if Parker, Stone and Lopez had a target, it’s probably the show’s audience — the middle class westerners who come to the theatre to open their hearts and minds, but whose feelings never translate into meaningful actions.

But, even then, Parker and Stone are kind enough to give us that smack down in what’s got to be one of the funniest musicals ever written. Don’t miss it.

[box]The Book of Mormon is at the Princess Theatre, Melbourne.

Image by Jeff Busby[/box]

48 responses to “The Book of Mormon Theatre review (Melbourne)

  1. not much to add… loved it… haven’t felt so much joy in seeing a new show since I was a young man seeing GODSPELL, JC SUPERSTAR, and ROCKY HORROR for the first time…back in the 70’s … refreshing, sacrilegious and joyous.

  2. saw this in NYC, Love South Park, however this is totally most over-rated . Obvious from beginning to end, some laughs but overall just awful.

  3. I loved this show. I heard Parker & Stone talk about their stance on religion on a commentary of one of the South Park episodes (the one where a happy Mormon family moves into town). They said that many of their fans just assumed they were atheists and they got quite irate and shocked when Parker and Stone admitted they were not. The two said that they dislike the new-style militant atheism promoted by people such as Sam Harris and Richard Dawkins- they likened such folk as ‘the smug annoying older kid going around the playground telling the smaller kids that Santa doesn’t exist’.

  4. The show is spectacular. Hilarious. Great talent. Just very disappointing that the Princess Theatre alllows latecomers to disrupt the show up to 20 minutes after it has started. Unbelievably rude! Even after the interval people were late returning to the theatre and again destroyed the enjoyment of the patrons who managed to arrive on time. Lock outs exist for a reason and should be enforced. We paid a huge amount of money to see this show and parts of it were ruined by inconsiderate, selfish people turning up late. This wasn’t just a few, closer to 50 people in our area whom clearly have an over elevated sense of entitlement. The Princess Theatre needs to consider all patrons.

    1. Have you not seen/heard any of Parker and Stone’s other works? Really? Why would you attend?

      If you’re so easily offended, might I suggest you purchase tickets to watching paint dry?

  5. 7.5 out of ten. Great acting. Swearing didn’t worry me but I certainly didn’t have belly laughs. I smiled but didn’t get too excited. I think the hype may have helped people’s opinion that it was super hilarious. It just wasn’t. I’d be careful recommending it as it is very expensive.

    1. Expensive ?? I don’t think so,if you check the prices for theatre tix. I thought the price was very much in line with other productions.

  6. I didn’t laugh out loud,I smiled but it felt really basic…so much hype and did not deliver.
    The cast and choreography were good just the story line and jokes were abit lack luster.
    I rate it a 5.5\10

  7. Great dancing and singing let down by disgusting references to child sex, aids and genital mutilation…never amusing guys…it could have been funny without being utterly gross. 2/10.

    1. Tell me were you shocked about female mutilation or male mutilation because they NEVER once mentioned male mutilation

      Which happens daily and yet no one says a word – but we are supposed to care about female mutilation ?

      feminists hard at work here.

      1. “Feminists hard at work here”……hmmm
        let me guess your one of those mens rights activists!
        Feminsim is equal rights between men and women…find a dictionary.

    2. Totally agree. We went along expecting sharp satire and not at all concerned about any foul language. We were stunned by the profoundly racist, misogynist language & ‘gags’. All played for laughs. Not to mention the cruel story ending! The cast are clearly extremely talented. Shame they have to put their all into this crock.

      1. Don’t you understand? That is the point!! The South Park boys are trying to shock the white middle class out of their apparthetic denial of racism, homophobia, misogyny etc….
        As another person said here, the message is multi layered.

  8. Absolute rubbish. I saw it last week and couldn’t stand it. It’s ridiculously over acted, very crude and the most overrated show i have seen. Don’t believe the hype. Its garbage.

  9. Oh my god it was fantastic!!!! If you followed South Park you would have known it was going to be obscure. Why would you go to see this sort of theatrics knowing what south park is like and then slam them. Don’t like the satire, don’t go and there is no negative comments from me. I would recommend this to anyone that has a fantastic sense of humour. Seating was fantastic, patrons had a fantastic time. I’m reserving more seats to see it again. The haters are always going to hate anything that they can’t understand. Well done, cannot recommend this show as much as I’ve said. Well done cast crew, orchestra,etc. Lighten up folks. Go with an open mind and stop being up yourselves. Ps my name is Robyn Rounds and that is my tiny review. If you have a negative or positive review have the balls to put your name to it.

  10. I felt the subject did not lend itself successfully to the musical format.
    The lack of catchy or moving or heartwarming songs was the greatest disappointment.

    1. I feel sorry for you Jen – that you were not impacted by this wonderful best musical ever. It lifted my heart with such fun. Perhaps all that satire was lost on you. Then, not he over hand, one man’s meat……. But you’re the only person who didn’t like, that I know. BTW the songs were so good, i bought the DVD.

  11. I went to the Princess Theatre to see some good old fashioned clean cut Mormon entertainment with my husband and kids. Why I’ve never been so offended in my life and now my kids keep looking up at the sky and yelling “…… … Ebowai” and now I have to spend heaps of money to send them to Mormon camp in Salt Lake City so they don’t go to hell. This musical has caused my husband to have Hell dreams and he hasn’t been the same again. The Book of Mormon is ruining my entire family. I want my money back.

    1. I was meant to say “My husband has been having Hell nightmares and he hasn’t been the same since” I am so distressed by this blasphemous “musical” that I can hardly string a sentence together.

      1. How much is the production paying Sarah? It reminds of the way Trump’s negativity re Fire and Fury made that recently published book a certain runaway best-seller!

        Al the US side of my family are LDS, by the way – I’m sure they would understand the intent to suggest ironies way beyond their organised Church and selves – and that in fact it is encouraging lots of folk to check out that same religion. You, Sarah, have very much helped, too!

        So, hey – everyone – go and see it if you have not. My wife and I caught it last march in Melbourne – at a matinee – we danced down the steps and away down the street after the performance! Brilliant – everyone involved – take another bow!

  12. Haha, I would wager that 90% of the negative comments here are from Mormons who take their religion a tad seriously. The musical itself is brilliantly executed, great singing and choreography, and a multi-layered message. I highly recommend.

  13. Firstly, the show was great and I’d give it 5 stars, but I’m leaving this review to warn people about Viagogo in the hope that people will not make the same mistake as I did. DO NOT under any circumstances book tickets with these immoral, blood-sucking thieves!

    The $104 for my ticket would otherwise go to the hardworking people who run the theatre and perform in the show and royalties for Matt Stone and Trey Parker. The price I paid for the ticket was inflated to $144! Then they had the audacity to put a $40 booking fee on top of each ticket! The amount of money Viagogo made from this purchase of three tickets was $84 x 3! So 55% of the money which goes to the hard working people who made the show enjoyable and 45% goes to these guys! And for what!? Providing a website designed to inflate the price of tickets in other countries – this is a Spanish owned outfit and they’re inflating the cost of tickets in our cities to ridiculous levels.

    I’ve contacted the ACCC to see what there take on this is and also lodged a claim with my credit card company.

    Please buy your tickets directly from the theatre or other ticketing companies. Do a search for consumer reviews of Viagogo and just see how people consider themselves to have been ripped off. Spread the word and put these thieves out of business.

  14. I didn’t really know much about it or what to expect. Knew it had something to do with South Park. My joy was in contained. I have never laughed out loud so much at a show. Fabulous. Couldn’t fault singing, dancing, choreography, direction, music, sets, script, acting…..its got the lot. Go and see it if you are not easily offended.

  15. My daughter gave the tickets as a Xmas gift. Yesterday before the show she rang us told me don’t get offended. I told her don’t worry if I don’t like it will leave middle of the show. Anyway we were at the Pricess Thearte and notice majority white audience. Once thr show started I realised why my daughter warn me. This all about white missonaries how they brain wash other nations. Even my grand parents baptised by force in Sri Lankan schools. I watched whole show because of suberb cast. Specially the African cast they made the musical live and funny. They gave all the privilege white society very good evening. They received back what they paid for the tickets. This show all about disadvantaged African culture their horrible believes regarding god, Homosexulality, female genitals, god, all the other races except whites. If you are light hearted will be launching. We did laugh as the cast acting and singing brilliant. At the interval I was the dark skin person in the line. Two white females ask me how I am enjoying the show. Young man sitting next to me asked same question. This show is mostly good for privilege white audience. It did not offend me as I am not African background or a Christian but I am empathetic person. Its not my money I spent on the tickets.

  16. The people making it are very clever, it’s well performed and has catchy songs.

    But it is often homophobic and racist. The Africans are portrayed as utter idiots (or worse), for the amusement of a largely white audience, and being gay is used as a punchline (and worse). “Turn it off” is fine, since it’s mocking not the gay Mormon but the ludicrous philosophy bullying him into the closet – but he’s then made into an object of utter derision and what happens during the “hell” segment is just dodgy.

    There’s punching up and punching down. When the show punches up, it’s great. When it punches down, it’s nauseating.

  17. Oh dear. Having read some of the comments, all I can say is people need to lighten up. Have you forgotten how to laugh?

    1. No, I haven’t forgotten how to laugh. I just don’t find people screaming about “going off to f**k a baby” in the slightest bit amusing.

  18. Ok so I was told this was funny so funny, crude & musical
    So off I go with a friend. I don’t know
    Much about it but I have to say st intermission I would of been happy to leave my friendcsaid kets see if it gets better well it didn’t omg women out there how on earth can you think degrading women is funny … well it’s not & this was absolutely the worse show I hzvd seen all I can say don’t waste Yr money

  19. Don’t beleive the hype of this rubbish! Full of highly offensive language and ideas where nothing is sacred. I wished i had walked out after ten minutes , but thought it may get better. It didn’t , it got worse, so much worse! If you find references of abusing babies and telling God to f off countless times funny, then there is something seriously wrong with our society, no matter what the context. Cheap, cheap laughs.

  20. It took me a while to adjust to the irreverence and shameless humour of the show, where absolutely nothing is off limits. The second half especially was side-splittingly brilliant. Visually stunning was the “Mormon Hell Dream” number.
    I couldn’t stop laughing, every time the Warlord’s unfortunate name was uttered – it just kept getting funnier and funnier and more ridiculous. Apparently the show has been endorsed by the Mormons – any publicity is good publicity.
    The sheer insanity of religion and belief is exposed in a very loving way.
    Don’t leave in the first half – once you get over it’s shameless crudeness, the second half will have you falling off your chairs with laughter.
    I’ve never laughed so much in a show!

  21. For those who are still struggling to understand the magnitude of racism brandished under the guise of sardonic humour, the Book of Mormon is thinly-veiled as a satirical musical when it is in fact a profoundly racist modern day black face minstrel show not dissimilar to those of the early 19th century.

    The musical perpetuates racial stereotypes of perceived inferiority from a white point of view and ignores the complexities and root causes of the many problems, including female genital mutilation, AIDS, rape and rituals continuing to plague certain African countries more than others.

    For those who will say “ it’s just a joke” or feel as a result of my calling this incredibly racist musical out for being exactly what it is as “taking the moral high road”, I suspect you would also be one of those who struggles to comprehend why black face is so inherently racist and dehumanising.

    Well, I have news for you, you are probably never going to get it.

    The only saving grace: the talented performers.

  22. A review written by a white man about a play written by white men and targeted to an audience of white people but which blatantly and racistly laughs at Uganda and it’s black people. And no, it’s not that I don’t ‘get it’…labelling something as satirical is not an excuse to allow blatant outdated and pretty disgusting racism. Needless to say we walked out. Well done clever white folk with your sophisticated sense of humour….

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