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Meeting Points: Scary Beauty and The End: Vocaloid Opera (OzAsia, Adelaide)

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Music, Opera, Reviews |
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The program for OzAsia 2017, compiled by intrepid artistic director, Joseph Mitchell, will be remembered for a number of events: Singapore theatre company, Wild Rice’s assured and engaging play, Hotel, stylishly directed by Ivan Heng and Glen Goei; the captivating, absurdist realism of Kuro Tanino’s The Dark Inn; and, especially – the futuristic musical experiments

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OzAsia 2017 Opens up New Territory

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Music, News & Commentary, Stage |

Murray Bramwell talks with OzAsia Artistic Director, Joseph Mitchell, about some highlights of this year’s program. The OzAsia festival which opens this Thursday is now in its 11th year. Initiated in 2006 by Adelaide Festival Centre CEO, Douglas Gautier, it has progressively consolidated its reputation as an adventurous and diverse event. It draws from all parts of

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Adelaide Cabaret Festival Closing Gala: Songs of Love and Revolution review

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Reviews, Stage |
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The Adelaide Cabaret Festival always begins, and concludes, with a Variety Gala. It has been a feature of the event since it began 17 years ago and it highlights one of the Festival’s most endearing aspects — which is that, temporarily at least, it creates a community of artists. This is much remarked upon by internationals and out-of-towners.

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The Best of the Adelaide Fringe (so far) # 2

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Reviews, Stage |

Fauna, Ukiyo, Royal Croquet Club FOUR stars The creatures in Fauna have come from a variety of circus habitats. Matt Basquet has a background in martial arts and acro/movement. Imogen Huzel, also from the UK but based in Stockholm, has links with the Belgian Poive Rose company; Finnish trapeze artiste, Enni Maria Lymi works with NoFit

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