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Lloyd Bradford Syke

Stage

Rigoletto review (Sydney Opera House)

Lloyd Bradford Syke

If it weren’t for Victor Hugo, there’d be no Rigoletto. His 1832 play, Le Roi S’Amuse (translation is variable, but …

Music, Stage

Otello review (Sydney Opera House)

Lloyd Bradford Syke

Verdi, we might surmise, was a somewhat vain man who might’ve fit in well with the hyper-narcississtic milieu in which …

Stage

Richard III Review (Ensemble, Sydney)

Lloyd Bradford Syke

The real Richard III was king of England for just two years, thanks to being cut down in his prime …

Stage

The Violent Outburst That Drew Me to You (Griffin Theatre, Sydney)

Lloyd Bradford Syke

Siren Theatre Company, Griffin Independent and InPlay Arts have sought an aesthetic and emotional snapshot of puberty with The Violent …

Stage

Ruthless! The Musical review (Seymour Centre, Sydney)

Lloyd Bradford Syke

Good things come in small packages. I’m not sure who said it originally, but it certainly pertains, not least to …

Stage

The Factory review (Riverside Theatres, Parramatta, Sydney)

Lloyd Bradford Syke

The Factory’s been kicking around Aotearoa for a while. So its arrival, this side of the Tasman, is a cogent …

Music, Stage

Hilary Cole, O.C.Diva review (Hayes Theatre, Sydney)

Lloyd Bradford Syke

Hilary Cole can solve the Rubik’s Cube in a minute flat. But that’s not her biggest claim to fame.

Stage

Like a Writing Desk (Radio National play review)

Lloyd Bradford Syke

Aden Rolfe’s Like A Writing Desk hovers somewhere between mockumentary and a straight radio play. The title alludes to Lewis …

Stage

M.Rock review (STC Wharf 2, Sydney)

Lloyd Bradford Syke

I’m not quite sure how writer Lachlan Philpott latched onto Ruth Flowers, aka Mammy Rock, the world’s oldest DJ.

Stage

Winter review (Old 505, Sydney)

Lloyd Bradford Syke

Norway seems the remotest of countries to me: almost as mysterious as any on Earth.

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THE LIST

Books

A legal approach to the decline and fall of the United States

Kevin Brianton

Music, Reviews

Sleaford Mods ‘All That Glue’ review: a necessary album for fans and newcomers alike

Benjamin Woods

Books, Reviews

‘The Shifting Landscape’ review: Western Victoria crime novel showcases joy in storytelling

Rosemary Sorensen

News & Commentary

How did we get here? Why artists became so dispensable

Neil Pigot

Books, Music, Reviews

Kim Salmon and the Formula for Grunge: a fascinating read for fans and newcomers alike

Tony Thompson

MORE OF THE LIST

WHATS ON

Exhibitions

The Albert Park Art Walk

Albert Park Village

Performance

Andrew Bovell’s Speaking in Tongues

Darlo Drama Studio Theatre

Exhibitions

Take Away Exhibition

Artsite Galleries

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