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Sami in Paradise theatre review (Belvoir, Sydney)

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Reviews, Stage, Theatre |
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Poor Sami. He’s lying in bed at the UNNHCR (sic) refugee camp, craving sausages and dreaming of learning the tuba. He wants to perform concerts and earn enough money to escape to Germany with his wife and mother-in-law. Miraculously the hapless Sami (Yalin Ozucelik) finds a tuba: the saucy madam in the tent next door

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Antony and Cleopatra theatre review (Sydney Opera House)

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Reviews, Stage, Theatre |
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The cast of Bell Shakespeare’s production of Antony and Cleopatra spend much of their stage time languidly posing in shifting configurations amongst the set’s simple luxe elegance – oversized velvet seats that suggest the lobby of an exclusive international hotel. Designer Anna Cordingley has dressed the cast in stylish and sharply tailored suits, expensive polo

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Mamma Mia! (Capitol Theatre, Sydney): as seamless as an IKEA flat-pack

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Musicals, Reviews, Stage |
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ABBA are too often dismissed as those comely Nordic popstars who defined Eurovision camp while singing of heterosexual love and heartache. To do so forgets the group’s music has only been outsold by those other four megastars of pop, The Beatles. And ABBA arguably left an even greater imprint on pop. Madonna, Kylie, Taylor – ABBA is

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Tribunal theatre review (Carriageworks, Sydney)

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Reviews, Stage, Theatre |
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A didgeridoo plays, a dark ceiling is lit with starry effects, a simple Afghan mat is laid out, a few chairs sit either side. Tall stacks of brown filing boxes are neatly lined up backstage. Aunty Rhonda Dixon Grovenor, a Darug/Yuin elder, walks on stage and maps out the peoples of the Sydney region. She

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My Name is Jimi review (Sydney Festival)

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Dance, Reviews, Stage, Theatre |
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“No. No, they still remain in Europe.” They are seven of the most powerful words spoken in My Name is Jimi, and they are spoken quietly by the grandmother of the show’s star, Jimi Bani. You might know Bani from characters he plays in Redfern Now, The Straits or Mabo (where he played the title

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Circus Oz Model Citizens review (Prince Alfred Square, Sydney)

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Reviews, Stage |
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The opening scenes of Circus Oz’s Model Citizens poke fun at suburban conformity. The cast dresses in a uniform hospital blue colour, three members return as ballet-dancing sheep, and it wraps up with a satirical song by Freyja Edney about buying into organic food and tolerating diversity but not wanting it in ‘my backyard’. Entering the

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Whist theatre review (Sydney Festival, Carriageworks)

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Reviews, Stage, Visual Arts |
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Enter the Whist performance space at Carriageworks and guides invite you to move around and inspect the sculptures placed around the room. You walk around touching black and cream, marble-like material shaped into cubes and strangely curved objects. Some appear partially submerged under the floor. The show is created by the UK-based experimental dance company

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Riot cabaret review (Sydney Festival)

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Reviews, Stage |
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If the Wooster Group’s The Town Hall Affair appeals (reviewed here), so will Emmet Kirwan’s spoken word – passionate and rapid fire monologues about teen pregnancy, loneliness, alienation and the need for socialist revolution. If the voice of the Beats can still be heard in his delivery, Kirwan also looks back to the Irish poets and then

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