Features

Best theatre of 2018: Jason Whittaker’s Sydney picks

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Musicals, News & Commentary, Opera, Stage, Theatre |

From opera to musical theatre and drama classic and contemporary, I’m genre agnostic when it comes to picking the best theatrical experiences of 2018. The standout Sydney stage shows spoke to the moment in distinctive ways, from #metoo to race relations, mental health, environmentalism … and the pitfalls of bricking yourself into a pyramid. In

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In Praise of Andrew McGahan

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Books, News & Commentary |

Andrew McGahan’s first book, the disturbingly comic Praise, defined him as a Queensland writer, and that stuck. Even though he has written books set in Sydney and Canberra, even though he has lived in Melbourne for decades, the sultry indolence of Brisbane in that Vogel-Award winner back in 1992 perfectly matched the tone and delivery

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Reviews

Aspects of Love review (Hayes Theatre, Sydney)

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Musicals, Reviews, Stage |
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“Love,” so the song pile-driven deep into your brain goes, “will never let you be the same.” Which goes for the show, too. You can’t unsee Aspects Of Love, the sweepingly silly Andrew Lloyd Webber musical extravagantly revived at the Hayes Theatre. You certainly can’t unhear Love Changes Everything, its saccharine strains injected into every

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Magpie Diaries ‘Sanctuary’ album review

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Music, Recorded, Reviews |

Magpie Diaries is a band hailing from the Hunter region of NSW. Its well-crafted tunes could be loosely described as contemporary-country and blues-influenced-folk rock (stated influences include Grateful Dead, Neil Young and Van Morrison). They also bring other sensibilities, such as a fair whack of sax to the table on their debut album Sanctuary. The band is fronted by Matt

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The Breeders Live review (Sydney Opera House)

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Live, Music, Reviews |

Last year I reviewed legendary indie band, The Pixies’ excellent performance at the Hordern Pavilion in Sydney for Daily Review. In some quarters, the band that played that night at the Horden was a Clayton’s version of The Pixies; it didn’t include original bass player Kim Deal, who was replaced by Paz Lechantin, who does

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